Author Index
Ackermann, David
Acoustic musical instruments as sound sources with dynamic directivity, p. 83
David Ackermann, Fabian Brinkmann and Stefan Weinzierl
A Round Robin on room acoustical simulation and auralization: Results of the simple scenes, p. 277
Lukas Aspöck, Fabian Brinkmann, David Ackermann, Stefan Weinzierl and Michael Vorländer
A Round Robin on room acoustical simulation and evaluation: Results of the real- world scenarios, p. 279
Fabian Brinkmann, Lukas Aspöck, David Ackermann, Michael Vorländer and Stefan Weinzierl
On the dimensions of room acoustical perception, p. 517
Stefan Weinzierl, Steffen Lepa and David Ackermann
Adelman-Larsen, Niels Werner
Real case measurements of new variable acoustics technology, pp. 339-344
Niels Werner Adelman-Larsen
Amengual Gari, Sebastia V.
Analysis of trumpet performance adjustments due to room acoustics, pp. 65-73
Sebastia V. Amengual Gari, Malte Kob and Tapio Lokki
Anderson, Victoria R.
Relating Design Features, Room Characteristics, and Occupancy to Noise Levels in Restaurants, pp. 149-152
Kieren Smith, Lily M. Wang and Victoria R. Anderson
Arnesano, Marco
A Soft-Sensing methodology for assessing Acoustic Comfort in buildings, p. 337
Livia Claudi, Marco Arnesano and Gian Marco Revel
Aspöck, Lukas
A Round Robin on room acoustical simulation and auralization: Results of the simple scenes, p. 277
Lukas Aspöck, Fabian Brinkmann, David Ackermann, Stefan Weinzierl and Michael Vorländer
A Round Robin on room acoustical simulation and evaluation: Results of the real- world scenarios, p. 279
Fabian Brinkmann, Lukas Aspöck, David Ackermann, Michael Vorländer and Stefan Weinzierl
Astolfi, Arianna
Optimizing diffusive surface topology through a performance-based design approach, pp. 227-234
Louena Shtrepi, Tomás Méndez Echenagucia, Elena Badino and Arianna Astolfi
Investigating the importance of geometrical accuracy acoustic simulation: A comparison of NURBS and mesh-based approaches, p. 239
Tomás Méndez Echenagucia, Louena Shtrepi, Elena Badino and Arianna Astolfi
Analysis of the room acoustic texture parameters in function of diffusers location and distribution inside a small concert hall, pp. 443-450
Alejandro Bidondo, Louena Shtrepi, Leonardo Pepino and Arianna Astolfi
Badeau, Roland
Implementation of Sources in an Energy-Stress Tensor Based Diffuse Sound Field Model, pp. 281-288
Aidan Meacham, Roland Badeau and Jean-Dominique Polack
Badino, Elena
Optimizing diffusive surface topology through a performance-based design approach, pp. 227-234
Louena Shtrepi, Tomás Méndez Echenagucia, Elena Badino and Arianna Astolfi
Investigating the importance of geometrical accuracy acoustic simulation: A comparison of NURBS and mesh-based approaches, p. 239
Tomás Méndez Echenagucia, Louena Shtrepi, Elena Badino and Arianna Astolfi
Bangert, Christiane
Rooms for music education and rehearsal - evolution of their acoustic design and comparison of results between questionnaires and measurements. A case study, pp. 291-298
Martin Lachmann, Christiane Bangert, Dominik Kessler and Martin Peter
Barbo, Marselle
Acoustic Studies of a Neoclassical Museum Through simulations in a three-dimensional model, pp. 159-165
Marselle Barbo and Eric Brandão
Barron, Mike
Basic design techniques to achieve lateral reflections in concert halls, pp. 117-124
Mike Barron
Basso, Gustavo
Acoustical Design of the “Blue Whale” Auditorium in Buenos Aires, pp. 201-208
Gustavo Basso
Bassuet, Alban
Beyond the Symphony Hall or Museum Experience: The Design of the Tippet Rise Art Center, Montana, pp. 187-199
Alban Bassuet, Nathan Blum, Willem Boning, Joseph Digerness, Anne Guthrie and Raj Patel
Berrier, Vincent
Beyond 80ms: The Subjective Effects of Sound Energy Arriving Shortly After the “Early” Sound Period, pp. 483-490
Evan Green, Eckhard Kahle, Vincent Berrier and Emilie Carayol
Berzborn, Marco
The Directional Energy Decay Curve in Performance Spaces, p. 473
Michael Vorländer and Marco Berzborn
Bidondo, Alejandro
Analysis of the room acoustic texture parameters in function of diffusers location and distribution inside a small concert hall, pp. 443-450
Alejandro Bidondo, Louena Shtrepi, Leonardo Pepino and Arianna Astolfi
Blum, Nathan
Beyond the Symphony Hall or Museum Experience: The Design of the Tippet Rise Art Center, Montana, pp. 187-199
Alban Bassuet, Nathan Blum, Willem Boning, Joseph Digerness, Anne Guthrie and Raj Patel
Boning, Willem
Beyond the Symphony Hall or Museum Experience: The Design of the Tippet Rise Art Center, Montana, pp. 187-199
Alban Bassuet, Nathan Blum, Willem Boning, Joseph Digerness, Anne Guthrie and Raj Patel
Brandão, Eric
Acoustic Studies of a Neoclassical Museum Through simulations in a three-dimensional model, pp. 159-165
Marselle Barbo and Eric Brandão
Room acoustics teaching experiences at the Federal University of Santa Maria (UFSM), pp. 353-360
Eric Brandão and William D’Andrea Fonseca
Brauer, Erik
Adaptation of singers to physical and virtual room acoustics, pp. 57-64
Paul Luizard, Stefan Weinzierl, Jochen Steffens and Erik Brauer
Brill, Laura
Orchestral Preferences for Discrete Overhead and Side Wall On-Stage Reflections, pp. 299-303
Gregory Miller, Scott Pfeiffer, Dawn Schuette, Carl Giegold and Laura Brill
Brinkmann, Fabian
Acoustic musical instruments as sound sources with dynamic directivity, p. 83
David Ackermann, Fabian Brinkmann and Stefan Weinzierl
A Round Robin on room acoustical simulation and auralization: Results of the simple scenes, p. 277
Lukas Aspöck, Fabian Brinkmann, David Ackermann, Stefan Weinzierl and Michael Vorländer
A Round Robin on room acoustical simulation and evaluation: Results of the real- world scenarios, p. 279
Fabian Brinkmann, Lukas Aspöck, David Ackermann, Michael Vorländer and Stefan Weinzierl
Prediction of speech perception using pseudo-binaural room impulse responses, p. 465
Omid Kokabi, Fabian Brinkmann and Stefan Weinzierl
Cairoli, Maria
Optimization of the acoustic response both for orchestra and for a solo instrument, the exquisitely romantic piano of Chopin, in the case study 'Chopin concert hall', pp. 133-139
Maria Cairoli and Livio Mazzarella
Çalişkan, Mehmet
A Variable Perforated Panel Proposal, p. 327
Merve Eşmebaşı, Ali Murat Tanyer and Mehmet Çalışkan
Carayol, Emilie
Beyond 80ms: The Subjective Effects of Sound Energy Arriving Shortly After the “Early” Sound Period, pp. 483-490
Evan Green, Eckhard Kahle, Vincent Berrier and Emilie Carayol
Claudi, Livia
A Soft-Sensing methodology for assessing Acoustic Comfort in buildings, p. 337
Livia Claudi, Marco Arnesano and Gian Marco Revel
Clements, Pamela
Concertgebouw Amsterdam: History of the main hall and its acoustics - PART 1: The early years: acoustic design and resolution of acoustic difficulties, pp. 427-434
Pamela Clements and Martijn Vercammen
D'Orazio, Dario
Overhead stage canopies in a coupled volume theatre: effects on the sound energy distribution and on the secondary reverberation, p. 255
Dario D'Orazio and Giulia Fratoni
On the Acoustics of St Cecilia’s Hall: Measurements and Comparison of Wave-based and Geometrical Acoustics Modelling, p. 289
Brian Hamilton, Michael Newton, Giulia Fratoni and Dario D'Orazio
Day, Christopher
Exploration of Stage Acoustic Considerations with Parametric Tools during Early Design Stages, pp. 5-16
Javier Sanz Soriano, Oliver Wright, Elisabeth Van Den Braak and Christopher Day
De Paiva Rocha, Maria Isabel
Acoustic comfort in shopping center food court: analysis and proposition of improvements, p. 153
Maria Isabel De Paiva Rocha
Demirel, Füsun
Stage Acoustics For The Symphony Orchestra And A Case Study: Bilkent Concert Hall, p. 19
Sebahat Gül İlisulu and Füsun Demirel
Digerness, Joseph
Beyond the Symphony Hall or Museum Experience: The Design of the Tippet Rise Art Center, Montana, pp. 187-199
Alban Bassuet, Nathan Blum, Willem Boning, Joseph Digerness, Anne Guthrie and Raj Patel
Dulworth, Nicolaus
Multi-Channel Recording and Modeling Strategies for Improved Source Realism in Auralizations, p. 235
Laurie Kamper, Gregory Miller, Marcus Mayell and Nicolaus Dulworth
Engel, Gunter
To the stars and beyond – specialized applications for acoustic enhancement, p. 175
Gunter Engel
Eşmebaşi, Merve
A Variable Perforated Panel Proposal, p. 327
Merve Eşmebaşı, Ali Murat Tanyer and Mehmet Çalışkan
Essert, Robert
Integrated acoustics and audio for Chinese opera – Xiqu Centre, Hong Kong, p. 425
Robert Essert and Roger Gans
Exton, Peter
Acoustical Design of a new Conservatorium for the University of Melbourne, pp. 315-321
Peter Exton
Fernandez-Grande, Efren
Acousto-optic capture of the sound field in a room based on sparse measurement data, pp. 451-457
Efren Fernandez-Grande, Samuel A. Verburg and Manuel Hahmann
Fonseca, William D'Andrea
Room acoustics teaching experiences at the Federal University of Santa Maria (UFSM), pp. 353-360
Eric Brandão and William D’Andrea Fonseca
Fratoni, Giulia
Overhead stage canopies in a coupled volume theatre: effects on the sound energy distribution and on the secondary reverberation, p. 255
Dario D'Orazio and Giulia Fratoni
On the Acoustics of St Cecilia’s Hall: Measurements and Comparison of Wave-based and Geometrical Acoustics Modelling, p. 289
Brian Hamilton, Michael Newton, Giulia Fratoni and Dario D'Orazio
Frischmann, Clemens
Room Acoustic Evaluation of Active Acoustics Systems – Results from acoustic measurements, pp. 177-185
Fabio Kaiser, Clemens Frischmann, Volker Werner and Thorsten Rohde
Gade, Anders Christian
The music rehearsal room - for work and leisure, pp. 23-30
Bård Støfringsdal and Anders Christian Gade
From acoustic brief to acoustic reality; experiences from advising clients on recently built concert halls in Scandinavia, pp. 85-95
Anders Christian Gade
Gans, Roger
Integrated acoustics and audio for Chinese opera – Xiqu Centre, Hong Kong, p. 425
Robert Essert and Roger Gans
Garcia, Juan Oscar
Progresses in the shaping of complex surfaces in concert halls, pp. 409-416
Juan Oscar Garcia
Giegold, Carl
Orchestral Preferences for Discrete Overhead and Side Wall On-Stage Reflections, pp. 299-303
Gregory Miller, Scott Pfeiffer, Dawn Schuette, Carl Giegold and Laura Brill
Glosemeyer Petrone, Robin
A New Stage Environment Expands Potential for Canada’s National Arts Centre Orchestra, p. 3
Robin Glosemeyer Petrone, Jennifer Mallard and Marcus Mayell
Green, Evan
Beyond 80ms: The Subjective Effects of Sound Energy Arriving Shortly After the “Early” Sound Period, pp. 483-490
Evan Green, Eckhard Kahle, Vincent Berrier and Emilie Carayol
Griesinger, David
Manipulating Measurements, p. 379
David Griesinger
Guthrie, Anne
Beyond the Symphony Hall or Museum Experience: The Design of the Tippet Rise Art Center, Montana, pp. 187-199
Alban Bassuet, Nathan Blum, Willem Boning, Joseph Digerness, Anne Guthrie and Raj Patel
Hahmann, Manuel
Acousto-optic capture of the sound field in a room based on sparse measurement data, pp. 451-457
Efren Fernandez-Grande, Samuel A. Verburg and Manuel Hahmann
Halmrast, Tor
Reverberation Influences the Attack, pp. 49-56
Tor Halmrast
Halstead, Miklin
Further Investigation of Ensemble Singers Preferred Sound Fields, pp. 39-46
Elisabeth Van Den Braak, Harold Marshall, Juergen Meyer, Miklin Halstead and Daniel Protheroe
Hamilton, Brian
Wave-based modeling of acoustics of a barrel-vaulted sanctuary, p. 157
Heather Lai and Brian Hamilton
On the Acoustics of St Cecilia’s Hall: Measurements and Comparison of Wave-based and Geometrical Acoustics Modelling, p. 289
Brian Hamilton, Michael Newton, Giulia Fratoni and Dario D'Orazio
Hanyu, Toshiki
Sound intensity-based indices for evaluating listener envelopment in concert halls, pp. 467-472
Toshiki Hanyu and Kazuma Hoshi
Harkom, Lily
Using an Acoustic Camera to Study Ensemble Conditions in an Orchestra Rehearsal Room, pp. 381-388
Derek Thompson and Lily Harkom
Hidaka, Takayuki
A study on precise measurement of room impulse in a scale model and auralization, pp. 459-464
Takayuki Hidaka and Kazunori Suzuki
Hollomey, Clara
The apparent width of spatially extended sources, pp. 491-497
Clara Hollomey and Bernhard U. Seeber
Honing, Henkjan
What makes us musical animals?, p. 1
Henkjan Honing
Hornikx, Maarten
A parametric hybrid room acoustic prediction method: development of an image-sources/diffusion equation approach for the high-frequency range, p. 253
Wouter Wittebol and Maarten Hornikx
Hoshi, Kazuma
Sound intensity-based indices for evaluating listener envelopment in concert halls, pp. 467-472
Toshiki Hanyu and Kazuma Hoshi
Ilisulu, Sebahat Gül
Stage Acoustics For The Symphony Orchestra And A Case Study: Bilkent Concert Hall, p. 19
Sebahat Gül İlisulu and Füsun Demirel
Inácio, Octávio
Application of Finite-Difference Time Domain Method to the Study of Practical Solutions in Room Acoustics, p. 247
Octávio Inácio and Filipe Martins
Izumi, Yuto
Direction-of-arrival distribution analysis of reflected sounds using spherical microphone array, pp. 371-378
Yuto Izumi and Makoto Otani
Jaramillo, Ana M
From Reverberation Time equations to room acoustic simulations, p. 249
Ana M Jaramillo and Bruce C Olson
Jeon, Jin Yong
Effects of stage volume ratio on acoustics of simulated concert halls, pp. 241-245
Rosa Seo, Hyun In Jo and Jin Yong Jeon
Objective assessment of a scattered sound field in simulated concert halls and scale model, pp. 265-270
Hyun In Jo, Kee Hyun Kwak and Jin Yong Jeon
Sound Diffusion design for a Rectangular Concert Hall using a 1:25 Scale Model, pp. 271-275
Jinyoung Park, Hyunwook Kim, Jae Hak Lee, Jinju Jeong and Jin Yong Jeon
Jeong, Jinju
Sound Diffusion design for a Rectangular Concert Hall using a 1:25 Scale Model, pp. 271-275
Jinyoung Park, Hyunwook Kim, Jae Hak Lee, Jinju Jeong and Jin Yong Jeon
Jo, Hyun In
Effects of stage volume ratio on acoustics of simulated concert halls, pp. 241-245
Rosa Seo, Hyun In Jo and Jin Yong Jeon
Objective assessment of a scattered sound field in simulated concert halls and scale model, pp. 265-270
Hyun In Jo, Kee Hyun Kwak and Jin Yong Jeon
Jurkiewicz, Yann
Acoustic optimization of curved architecture in practice: the new Straight Cultural Arts Center in Fuzhou, pp. 401-408
Yann Jurkiewicz, Henrik Möller, Thomas Wulfrank, Jingbo Wang and Eckhard Kahle
Kahle, Eckhard
Stage Acoustics for Musicians: going beyond the Support Parameter ST1, p. 17
Eckhard Kahle
Acoustic optimization of curved architecture in practice: the new Straight Cultural Arts Center in Fuzhou, pp. 401-408
Yann Jurkiewicz, Henrik Möller, Thomas Wulfrank, Jingbo Wang and Eckhard Kahle
Beyond 80ms: The Subjective Effects of Sound Energy Arriving Shortly After the “Early” Sound Period, pp. 483-490
Evan Green, Eckhard Kahle, Vincent Berrier and Emilie Carayol
Kaiser, Fabio
Room Acoustic Evaluation of Active Acoustics Systems – Results from acoustic measurements, pp. 177-185
Fabio Kaiser, Clemens Frischmann, Volker Werner and Thorsten Rohde
Kamper, Laurie
Multi-Channel Recording and Modeling Strategies for Improved Source Realism in Auralizations, p. 235
Laurie Kamper, Gregory Miller, Marcus Mayell and Nicolaus Dulworth
Kanev, Nikolay
Experimental Study of Cubic, Pyramidal and Hemispherical Diffusers at Normal Sound Incidence, pp. 257-263
Michael Vasilyev, Marina Lavrova and Nikolay Kanev
Kanev, Nikolay
Acoustic characteristics of concert hall Zaryadye in Moscow, pp. 125-132
Natalya Shirgina, Anatoly Livshits, Alexander Ponomarev, Nikolay Kanev and Anton Peretokin
Kanieski, João Marcos
Self-tuned Class-D Audio Amplifier with HRMRAC Control, p. 369
João Marcos Kanieski
Kashiwazaki, Hiroshi
Sound Field Reproduction by Convolving Directional Dry Signals and Directional Impulse Responses, pp. 475-482
Akira Omoto, Tomohiro Shimizu and Hiroshi Kashiwazaki
Katz, Brian
EVAA: A platform for Experimental Virtual Archeological- Acoustics to study the influence of performance space, pp. 345-352
Brian Katz, Sandie Le Conte and Peter Stitt
Kessler, Dominik
Rooms for music education and rehearsal - evolution of their acoustic design and comparison of results between questionnaires and measurements. A case study, pp. 291-298
Martin Lachmann, Christiane Bangert, Dominik Kessler and Martin Peter
Kim, Hyunwook
Sound Diffusion design for a Rectangular Concert Hall using a 1:25 Scale Model, pp. 271-275
Jinyoung Park, Hyunwook Kim, Jae Hak Lee, Jinju Jeong and Jin Yong Jeon
Kirechev, Aleksandar
Acoustic Adaptation of Performance and Lecture Spaces in Historical Buildings, pp. 167-172
Zlatka Madzharova and Aleksandar Kirechev
Kob, Malte
Analysis of trumpet performance adjustments due to room acoustics, pp. 65-73
Sebastia V. Amengual Gari, Malte Kob and Tapio Lokki
Kobayashi, Maori
Experimental study on auditory impression of sounds produced by flutes in a concert hall, pp. 75-82
Kanako Ueno and Maori Kobayashi
Kokabi, Omid
Prediction of speech perception using pseudo-binaural room impulse responses, p. 465
Omid Kokabi, Fabian Brinkmann and Stefan Weinzierl
Kuusinen, Antti
Concert hall acoustics matching experiment, p. 519
Tapio Lokki, Laura McLeod and Antti Kuusinen
Kwak, Kee Hyun
Objective assessment of a scattered sound field in simulated concert halls and scale model, pp. 265-270
Hyun In Jo, Kee Hyun Kwak and Jin Yong Jeon
Lachenmayr, Winfried
Honey, I Shrunk the Hall – Are chamber music halls just small symphony halls?, p. 97
Winfried Lachenmayr
Lachmann, Martin
Rooms for music education and rehearsal - evolution of their acoustic design and comparison of results between questionnaires and measurements. A case study, pp. 291-298
Martin Lachmann, Christiane Bangert, Dominik Kessler and Martin Peter
Lai, Heather
Wave-based modeling of acoustics of a barrel-vaulted sanctuary, p. 157
Heather Lai and Brian Hamilton
Lautenbach, Margriet
Developments in Variable Acoustics for Rehearsal Rooms, p. 21
Maarten Luykx and Margriet Lautenbach
Influence of hall geometry on balance, pp. 105-115
Margriet Lautenbach and Martijn Vercammen
Concertgebouw Amsterdam: History of the main hall and its acoustics; PART 2: Preserving the acoustics, pp. 435-442
Martijn Vercammen, Margriet Lautenbach and Rob Metkemeijer
Lavrova, Marina
Experimental Study of Cubic, Pyramidal and Hemispherical Diffusers at Normal Sound Incidence, pp. 257-263
Michael Vasilyev, Marina Lavrova and Nikolay Kanev
Le Conte, Sandie
EVAA: A platform for Experimental Virtual Archeological- Acoustics to study the influence of performance space, pp. 345-352
Brian Katz, Sandie Le Conte and Peter Stitt
Lee, Jae Hak
Sound Diffusion design for a Rectangular Concert Hall using a 1:25 Scale Model, pp. 271-275
Jinyoung Park, Hyunwook Kim, Jae Hak Lee, Jinju Jeong and Jin Yong Jeon
Lepa, Steffen
On the dimensions of room acoustical perception, p. 517
Stefan Weinzierl, Steffen Lepa and David Ackermann
Lincke, Dorothea
Instrumental Blending - Characterisation and Influencing Parameters, p. 47
Dorothea Lincke and Tapio Lokki
Livshits, Anatoly
Acoustic characteristics of concert hall Zaryadye in Moscow, pp. 125-132
Natalya Shirgina, Anatoly Livshits, Alexander Ponomarev, Nikolay Kanev and Anton Peretokin
Lokki, Tapio
Instrumental Blending - Characterisation and Influencing Parameters, p. 47
Dorothea Lincke and Tapio Lokki
Analysis of trumpet performance adjustments due to room acoustics, pp. 65-73
Sebastia V. Amengual Gari, Malte Kob and Tapio Lokki
Concert hall acoustics matching experiment, p. 519
Tapio Lokki, Laura McLeod and Antti Kuusinen
Luizard, Paul
Adaptation of singers to physical and virtual room acoustics, pp. 57-64
Paul Luizard, Stefan Weinzierl, Jochen Steffens and Erik Brauer
Luykx, Maarten
Developments in Variable Acoustics for Rehearsal Rooms, p. 21
Maarten Luykx and Margriet Lautenbach
Madzharova, Zlatka
Acoustic Adaptation of Performance and Lecture Spaces in Historical Buildings, pp. 167-172
Zlatka Madzharova and Aleksandar Kirechev
Mallard, Jennifer
A New Stage Environment Expands Potential for Canada’s National Arts Centre Orchestra, p. 3
Robin Glosemeyer Petrone, Jennifer Mallard and Marcus Mayell
Marshall, Harold
Further Investigation of Ensemble Singers Preferred Sound Fields, pp. 39-46
Elisabeth Van Den Braak, Harold Marshall, Juergen Meyer, Miklin Halstead and Daniel Protheroe
Innovation in Concert Hall Design, pp. 99-103
Harold Marshall
Martins, Filipe
Application of Finite-Difference Time Domain Method to the Study of Practical Solutions in Room Acoustics, p. 247
Octávio Inácio and Filipe Martins
Mayell, Marcus
A New Stage Environment Expands Potential for Canada’s National Arts Centre Orchestra, p. 3
Robin Glosemeyer Petrone, Jennifer Mallard and Marcus Mayell
Multi-Channel Recording and Modeling Strategies for Improved Source Realism in Auralizations, p. 235
Laurie Kamper, Gregory Miller, Marcus Mayell and Nicolaus Dulworth
Mazzarella, Livio
Optimization of the acoustic response both for orchestra and for a solo instrument, the exquisitely romantic piano of Chopin, in the case study 'Chopin concert hall', pp. 133-139
Maria Cairoli and Livio Mazzarella
McLeod, Laura
Concert hall acoustics matching experiment, p. 519
Tapio Lokki, Laura McLeod and Antti Kuusinen
Meacham, Aidan
Implementation of Sources in an Energy-Stress Tensor Based Diffuse Sound Field Model, pp. 281-288
Aidan Meacham, Roland Badeau and Jean-Dominique Polack
Méndez Echenagucia, Tomás
Optimizing diffusive surface topology through a performance-based design approach, pp. 227-234
Louena Shtrepi, Tomás Méndez Echenagucia, Elena Badino and Arianna Astolfi
Investigating the importance of geometrical accuracy acoustic simulation: A comparison of NURBS and mesh-based approaches, p. 239
Tomás Méndez Echenagucia, Louena Shtrepi, Elena Badino and Arianna Astolfi
Metkemeijer, Rob
Concertgebouw Amsterdam: History of the main hall and its acoustics; PART 2: Preserving the acoustics, pp. 435-442
Martijn Vercammen, Margriet Lautenbach and Rob Metkemeijer
Meyer, Juergen
Further Investigation of Ensemble Singers Preferred Sound Fields, pp. 39-46
Elisabeth Van Den Braak, Harold Marshall, Juergen Meyer, Miklin Halstead and Daniel Protheroe
Miller, Gregory
Multi-Channel Recording and Modeling Strategies for Improved Source Realism in Auralizations, p. 235
Laurie Kamper, Gregory Miller, Marcus Mayell and Nicolaus Dulworth
Orchestral Preferences for Discrete Overhead and Side Wall On-Stage Reflections, pp. 299-303
Gregory Miller, Scott Pfeiffer, Dawn Schuette, Carl Giegold and Laura Brill
Minors, Anne
A Tale of Two Opera Houses - the Oldest and Youngest in Europe - Teatru Manoel Malta and Nevill Holt UK, p. 209
Anne Minors
Möller, Henrik
Acoustic optimization of curved architecture in practice: the new Straight Cultural Arts Center in Fuzhou, pp. 401-408
Yann Jurkiewicz, Henrik Möller, Thomas Wulfrank, Jingbo Wang and Eckhard Kahle
Nagy, Attila Balazs
A Survey on Room Acoustic Properties of Music Rehearsal Rooms in Hungary, p. 313
Attila Balazs Nagy
Nash, Anthony
Acoustical Characteristics of an Indoor Firing Range, p. 147
Anthony Nash
Neal, Matthew
Predicting an individual’s preference in concert halls from measurement based auralizations, pp. 521-528
Matthew Neal and Michelle Vigeant
Neidhardt, Annika
Physical and perceptual differences of selected approaches to realize an echolocation scenario in room acoustical auralizations, p. 237
Annika Neidhardt and Christian Schneiderwind
Perceptual differences of position dependent room acoustics in a small conference room, pp. 499-506
Christian Schneiderwind and Annika Neidhardt
Newton, Michael
On the Acoustics of St Cecilia’s Hall: Measurements and Comparison of Wave-based and Geometrical Acoustics Modelling, p. 289
Brian Hamilton, Michael Newton, Giulia Fratoni and Dario D'Orazio
O'Keefe, John
Lateral Energy Ceiling Design in Fan Shaped or Circular Rooms, p. 323
John O'Keefe
Olson, Bruce C
From Reverberation Time equations to room acoustic simulations, p. 249
Ana M Jaramillo and Bruce C Olson
Omoto, Akira
Sound Field Reproduction by Convolving Directional Dry Signals and Directional Impulse Responses, pp. 475-482
Akira Omoto, Tomohiro Shimizu and Hiroshi Kashiwazaki
Otani, Makoto
Direction-of-arrival distribution analysis of reflected sounds using spherical microphone array, pp. 371-378
Yuto Izumi and Makoto Otani
Park, Jinyoung
Sound Diffusion design for a Rectangular Concert Hall using a 1:25 Scale Model, pp. 271-275
Jinyoung Park, Hyunwook Kim, Jae Hak Lee, Jinju Jeong and Jin Yong Jeon
Patel, Raj
Beyond the Symphony Hall or Museum Experience: The Design of the Tippet Rise Art Center, Montana, pp. 187-199
Alban Bassuet, Nathan Blum, Willem Boning, Joseph Digerness, Anne Guthrie and Raj Patel
Pepino, Leonardo
Analysis of the room acoustic texture parameters in function of diffusers location and distribution inside a small concert hall, pp. 443-450
Alejandro Bidondo, Louena Shtrepi, Leonardo Pepino and Arianna Astolfi
Peretokin, Anton
Acoustic characteristics of concert hall Zaryadye in Moscow, pp. 125-132
Natalya Shirgina, Anatoly Livshits, Alexander Ponomarev, Nikolay Kanev and Anton Peretokin
Pervane, Simge
Electro Acoustic Analysis in Metro Stations, p. 173
Levent Yılmaztürk and Simge Pervane
Peter, Martin
Rooms for music education and rehearsal - evolution of their acoustic design and comparison of results between questionnaires and measurements. A case study, pp. 291-298
Martin Lachmann, Christiane Bangert, Dominik Kessler and Martin Peter
Peters, Brady
Improving Meeting Room Acoustic Performance through Customized Sound Scattering Surfaces, pp. 213-225
Brady Peters
Pfeiffer, Scott
Orchestral Preferences for Discrete Overhead and Side Wall On-Stage Reflections, pp. 299-303
Gregory Miller, Scott Pfeiffer, Dawn Schuette, Carl Giegold and Laura Brill
Polack, Jean-Dominique
Implementation of Sources in an Energy-Stress Tensor Based Diffuse Sound Field Model, pp. 281-288
Aidan Meacham, Roland Badeau and Jean-Dominique Polack
Ponomarev, Alexander
Acoustic characteristics of concert hall Zaryadye in Moscow, pp. 125-132
Natalya Shirgina, Anatoly Livshits, Alexander Ponomarev, Nikolay Kanev and Anton Peretokin
Pop, Claudiu
Mozart or Elvis: Which One is More Fun? (to Design a Venue for). Design Parallels and Differences for Acoustics Excellence of Halls for Modern and Classical Music, p. 325
Claudiu Pop
Prislan, Rok
The importance of periodic ray paths in geometrical acoustics – some practically relevant examples, p. 251
Rok Prislan and Daniel Svenšek
Protheroe, Daniel
Further Investigation of Ensemble Singers Preferred Sound Fields, pp. 39-46
Elisabeth Van Den Braak, Harold Marshall, Juergen Meyer, Miklin Halstead and Daniel Protheroe
Revel, Gian Marco
A Soft-Sensing methodology for assessing Acoustic Comfort in buildings, p. 337
Livia Claudi, Marco Arnesano and Gian Marco Revel
Rohde, Thorsten
Room Acoustic Evaluation of Active Acoustics Systems – Results from acoustic measurements, pp. 177-185
Fabio Kaiser, Clemens Frischmann, Volker Werner and Thorsten Rohde
Sanz Soriano, Javier
Exploration of Stage Acoustic Considerations with Parametric Tools during Early Design Stages, pp. 5-16
Javier Sanz Soriano, Oliver Wright, Elisabeth Van Den Braak and Christopher Day
Schneiderwind, Christian
Physical and perceptual differences of selected approaches to realize an echolocation scenario in room acoustical auralizations, p. 237
Annika Neidhardt and Christian Schneiderwind
Perceptual differences of position dependent room acoustics in a small conference room, pp. 499-506
Christian Schneiderwind and Annika Neidhardt
Schöner, Georg
Improving our Dining Experience - Getting Interior Acoustics on the ’Menu’ of Restaurants, p. 155
Georg Schöner and Pascal Van Dort
Schuette, Dawn
Orchestral Preferences for Discrete Overhead and Side Wall On-Stage Reflections, pp. 299-303
Gregory Miller, Scott Pfeiffer, Dawn Schuette, Carl Giegold and Laura Brill
Seeber, Bernhard U.
The apparent width of spatially extended sources, pp. 491-497
Clara Hollomey and Bernhard U. Seeber
Seo, Rosa
Effects of stage volume ratio on acoustics of simulated concert halls, pp. 241-245
Rosa Seo, Hyun In Jo and Jin Yong Jeon
Shiba, Yoshihide
Scaled model experiments for the investigation of acoustic characteristics of rectangular music rehearsal room with diffusers, pp. 31-37
Takumi Yoshida, Yasutaka Ueda and Yoshihide Shiba
Shimizu, Tomohiro
Sound Field Reproduction by Convolving Directional Dry Signals and Directional Impulse Responses, pp. 475-482
Akira Omoto, Tomohiro Shimizu and Hiroshi Kashiwazaki
Shirgina, Natalya
Acoustic characteristics of concert hall Zaryadye in Moscow, pp. 125-132
Natalya Shirgina, Anatoly Livshits, Alexander Ponomarev, Nikolay Kanev and Anton Peretokin
Shtrepi, Louena
Optimizing diffusive surface topology through a performance-based design approach, pp. 227-234
Louena Shtrepi, Tomás Méndez Echenagucia, Elena Badino and Arianna Astolfi
Investigating the importance of geometrical accuracy acoustic simulation: A comparison of NURBS and mesh-based approaches, p. 239
Tomás Méndez Echenagucia, Louena Shtrepi, Elena Badino and Arianna Astolfi
Analysis of the room acoustic texture parameters in function of diffusers location and distribution inside a small concert hall, pp. 443-450
Alejandro Bidondo, Louena Shtrepi, Leonardo Pepino and Arianna Astolfi
Skålevik, Magne
Absorption area matters in symphony orchestra rehearsal rooms, pp. 305-312
Magne Skålevik
Smith, Kieren
Relating Design Features, Room Characteristics, and Occupancy to Noise Levels in Restaurants, pp. 149-152
Kieren Smith, Lily M. Wang and Victoria R. Anderson
Steffens, Jochen
Adaptation of singers to physical and virtual room acoustics, pp. 57-64
Paul Luizard, Stefan Weinzierl, Jochen Steffens and Erik Brauer
The correlation between room acoustics, soundscape and customer satisfaction in restaurants - A field study, pp. 507-515
Tobias Wilczek, Jochen Steffens and Stefan Weinzierl
Stitt, Peter
EVAA: A platform for Experimental Virtual Archeological- Acoustics to study the influence of performance space, pp. 345-352
Brian Katz, Sandie Le Conte and Peter Stitt
Støfringsdal, Bård
The music rehearsal room - for work and leisure, pp. 23-30
Bård Støfringsdal and Anders Christian Gade
Suzuki, Kazunori
A study on precise measurement of room impulse in a scale model and auralization, pp. 459-464
Takayuki Hidaka and Kazunori Suzuki
Svensson, Peter
A potpourri of prediction methods in room acoustics, p. 211
Peter Svensson
Finding the resonance frequencies of non-shoebox shaped rooms, pp. 361-367
Peter Svensson
Svensček, Daniel
The importance of periodic ray paths in geometrical acoustics – some practically relevant examples, p. 251
Rok Prislan and Daniel Svenšek
Tanyer, Ali Murat
A Variable Perforated Panel Proposal, p. 327
Merve Eşmebaşı, Ali Murat Tanyer and Mehmet Çalışkan
Thompson, Derek
Using an Acoustic Camera to Study Ensemble Conditions in an Orchestra Rehearsal Room, pp. 381-388
Derek Thompson and Lily Harkom
Tronchin, Lamberto
The acoustic design of the new Teatro Amintore Galli in Rimini (Italy), pp. 141-146
Lamberto Tronchin
Ueda, Yasutaka
Scaled model experiments for the investigation of acoustic characteristics of rectangular music rehearsal room with diffusers, pp. 31-37
Takumi Yoshida, Yasutaka Ueda and Yoshihide Shiba
Ueno, Kanako
Experimental study on auditory impression of sounds produced by flutes in a concert hall, pp. 75-82
Kanako Ueno and Maori Kobayashi
Uygun, Abidin
Room acoustics meets TABS (Thermally Activated Building Systems) - Practical results for strip absorbers in concrete ceilings, pp. 329-336
Abidin Uygun
Van Den Braak, Elisabeth
Exploration of Stage Acoustic Considerations with Parametric Tools during Early Design Stages, pp. 5-16
Javier Sanz Soriano, Oliver Wright, Elisabeth Van Den Braak and Christopher Day
Further Investigation of Ensemble Singers Preferred Sound Fields, pp. 39-46
Elisabeth Van Den Braak, Harold Marshall, Juergen Meyer, Miklin Halstead and Daniel Protheroe
Van Der Harten, Arthur
Geometrical Computation of Arbitrary Curved Surface Sound Reflected Impulse Responses, pp. 417-424
Arthur Van Der Harten
Van Dort, Pascal
Improving our Dining Experience - Getting Interior Acoustics on the ’Menu’ of Restaurants, p. 155
Georg Schöner and Pascal Van Dort
Vasilyev, Michael
Experimental Study of Cubic, Pyramidal and Hemispherical Diffusers at Normal Sound Incidence, pp. 257-263
Michael Vasilyev, Marina Lavrova and Nikolay Kanev
Verburg, Samuel A.
Acousto-optic capture of the sound field in a room based on sparse measurement data, pp. 451-457
Efren Fernandez-Grande, Samuel A. Verburg and Manuel Hahmann
Vercammen, Martijn
Influence of hall geometry on balance, pp. 105-115
Margriet Lautenbach and Martijn Vercammen
Concertgebouw Amsterdam: History of the main hall and its acoustics - PART 1: The early years: acoustic design and resolution of acoustic difficulties, pp. 427-434
Pamela Clements and Martijn Vercammen
Concertgebouw Amsterdam: History of the main hall and its acoustics; PART 2: Preserving the acoustics, pp. 435-442
Martijn Vercammen, Margriet Lautenbach and Rob Metkemeijer
Vigeant, Michelle
Predicting an individual’s preference in concert halls from measurement based auralizations, pp. 521-528
Matthew Neal and Michelle Vigeant
Vorländer, Michael
A Round Robin on room acoustical simulation and auralization: Results of the simple scenes, p. 277
Lukas Aspöck, Fabian Brinkmann, David Ackermann, Stefan Weinzierl and Michael Vorländer
A Round Robin on room acoustical simulation and evaluation: Results of the real- world scenarios, p. 279
Fabian Brinkmann, Lukas Aspöck, David Ackermann, Michael Vorländer and Stefan Weinzierl
The Directional Energy Decay Curve in Performance Spaces, p. 473
Michael Vorländer and Marco Berzborn
Wang, Jingbo
Acoustic optimization of curved architecture in practice: the new Straight Cultural Arts Center in Fuzhou, pp. 401-408
Yann Jurkiewicz, Henrik Möller, Thomas Wulfrank, Jingbo Wang and Eckhard Kahle
Wang, Lily M.
Relating Design Features, Room Characteristics, and Occupancy to Noise Levels in Restaurants, pp. 149-152
Kieren Smith, Lily M. Wang and Victoria R. Anderson
Weinzierl, Stefan
Adaptation of singers to physical and virtual room acoustics, pp. 57-64
Paul Luizard, Stefan Weinzierl, Jochen Steffens and Erik Brauer
Acoustic musical instruments as sound sources with dynamic directivity, p. 83
David Ackermann, Fabian Brinkmann and Stefan Weinzierl
A Round Robin on room acoustical simulation and auralization: Results of the simple scenes, p. 277
Lukas Aspöck, Fabian Brinkmann, David Ackermann, Stefan Weinzierl and Michael Vorländer
A Round Robin on room acoustical simulation and evaluation: Results of the real- world scenarios, p. 279
Fabian Brinkmann, Lukas Aspöck, David Ackermann, Michael Vorländer and Stefan Weinzierl
Prediction of speech perception using pseudo-binaural room impulse responses, p. 465
Omid Kokabi, Fabian Brinkmann and Stefan Weinzierl
The correlation between room acoustics, soundscape and customer satisfaction in restaurants - A field study, pp. 507-515
Tobias Wilczek, Jochen Steffens and Stefan Weinzierl
On the dimensions of room acoustical perception, p. 517
Stefan Weinzierl, Steffen Lepa and David Ackermann
Werner, Volker
Room Acoustic Evaluation of Active Acoustics Systems – Results from acoustic measurements, pp. 177-185
Fabio Kaiser, Clemens Frischmann, Volker Werner and Thorsten Rohde
Wilczek, Tobias
The correlation between room acoustics, soundscape and customer satisfaction in restaurants - A field study, pp. 507-515
Tobias Wilczek, Jochen Steffens and Stefan Weinzierl
Wittebol, Wouter
A parametric hybrid room acoustic prediction method: development of an image-sources/diffusion equation approach for the high-frequency range, p. 253
Wouter Wittebol and Maarten Hornikx
Wright, Oliver
Exploration of Stage Acoustic Considerations with Parametric Tools during Early Design Stages, pp. 5-16
Javier Sanz Soriano, Oliver Wright, Elisabeth Van Den Braak and Christopher Day
Wright, Philip
Rehearsal room acoustics, pp. 389-399
Philip Wright
Wulfrank, Thomas
Acoustic optimization of curved architecture in practice: the new Straight Cultural Arts Center in Fuzhou, pp. 401-408
Yann Jurkiewicz, Henrik Möller, Thomas Wulfrank, Jingbo Wang and Eckhard Kahle
Yilmaztürk, Levent
Electro Acoustic Analysis in Metro Stations, p. 173
Levent Yılmaztürk and Simge Pervane
Yoshida, Takumi
Scaled model experiments for the investigation of acoustic characteristics of rectangular music rehearsal room with diffusers, pp. 31-37
Takumi Yoshida, Yasutaka Ueda and Yoshihide Shiba